John and I were an amazing
team prior to the stroke. As professional musicians we performed together,
wrote music together and commuted to gigs together as needed. This professional
teamwork added a level of splendiferous joy to our marriage. Not only were we professional teammates, we
considered ourselves soul mates on the personal level. All the stars had lined
up for us when we found each other and fell in love.
In our burgeoning business
as composers, John and I often collaborated on works that we needed for
upcoming recording sessions or other performances. We would put the score on
the piano and leave it open. Whomever walked by added the next needed parts of
the arrangement as time permitted.
I recall three specific
projects where this technique was used. The first was while we were living in
the Miami, Florida area. We had been hired to do the arrangements for that
ancient technology: the vinyl record album. It was being recorded by a
spiritual singer. I believe this would have been in 1982, definitely the pre-compact
disc era. The young lady had hired another arranger to do the eleven songs on
the album but for some reason which I can no longer recall, he had had to back
out of the assignment. We got a panic call and had one week to do the
arrangements for strings, brass, a couple of woodwinds, piano, and percussion.
This was the first time we ever collaborated on the same works. We had no
choice: this was a lot of music to arrange and prepare for the recording
session in seven days.
We threw ourselves into
the task and there was staff paper, pencils, and erasers spread all over the
piano. Our living room looked like the aftermath of a ticker tape parade with
larger pieces of paper as these items spilled onto the surrounding floor and
copying tables. Whomever was home at the time commandeered the piano and
pencils. Whomever walked by later, assessed the progress and continued.
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